Dino Real
Caleidoexótica for Traffic Magazine, 2015
Photo: Juan Caliva
No One Belongs Here More Than You, 2016
No One Belongs Here More Than You, 2016
Piña Matriz, 2014
Installation View: Carlos Fernandez
Proyecto basado en dos sistemas distintos para el cultivo de la piña, producto estrella de exportación en Costa Rica y a la vez un ícono de la vida en el trópico.
First Day of Good Weather
The group show took place at Sies + Höke, Düsseldorf
Aníbal López
Central American Biennial, 2016 at Despacio
Performance
Naufus Ramirez Figueroa
Naked Fish Festival
The happening took place on April 2016 at Despacio.
Late for Labor Day
The performance festival with the artist San Keller took place in July 2018 at the art center Despacio in San José (Costa Rica).
Dino Real
Red Leopard Duke, 2014
Photo: Julian Garita / Natalia Jimenez
No One Belongs Here More Than You, 2016
In the background: The Totality of True Propositions (Before) by Julien Prévieux
First Day of Good Weather
The group show took place at Sies + Höke, Düsseldorf
Naked Fish Festival
The happening took place on April 2016 at Despacio.
Video Art Manual, 2015
Installation View: Keren Cytter
In "Video Art Manual" Keren Cytter undermines the relationship between actors, setting and camera as typical for her handling of the medium film. Thematically the approximately 15 minutes feature is about the history of video art. Instead of offering a historical analysis of the medium and its development in the last forty years Cytter focuses on the conditions of how contemporary video art will be produced, installed and consumed. By doing this her video work can literally be seen as a manual to her own work.
Naked Fish Festival
The happening took place on April 2016 at Despacio.
Late for Labor Day
The performance festival with the artist San Keller took place in July 2018.
Aníbal López
Central American Biennial, 2016 at Despacio
Julian Charrière
Siempre cuenta cuántos cuentos cuentas, 2016 at Despacio
Avenida Central, San José
Entrance for Despacio
Late for Labor Day
The performance festival with the artist San Keller took place in July 2018.
El hábito de estrofas, 2011
Installation View: Fabiola Carranza
Carranza hand painted nineteen signs for ambulatory and home-operated businesses in his ancestral hometown Atenas, Costa Rica. Each sign was made in accordance to the demands of its owner. She exchanged the signs she crafted for the originals and exhibited at Despacio. She also invited local vendor, Idalia Martinez, for whom she had made a sign to sell food at the opening reception.
Photo: Ronald Reyes
